This week, I will perform with Tessitoura, a Bristol-based opera company that performs in unique spaces with a small but very talented group of singers and musicians. This project is Rossini’s masterpiece, The Barber of Seville (1816). It follows the fortunes of The Count Almaviva, Rosina, Doctor Bartolo, Don Basilio to name but a few. Oh, and a certain barber called Figaro. This very special opera was based on Pierre Beaumarchais’ French comedy Le Barbier de Seville (1775) and is the first of a trilogy, the second of which – The Marriage of Figaro – was famously adapted into an opera by Mozart (1786).
I play the main villain of the piece, or perhaps more truthfully fodder for the Count’s trickery and Figaro’s scheming. He is a physician and Rosina’s guardian, but he has grander schemes in mind involving marriage and money. This role appears to be the exact opposite of Enrico in Donizetti’s Il Campanello di Notte (The Night Bell) in which I was a bugs bunny-esque rogue. Now I am Elmer Fudd!
So what is needed in preparing for the role of the Doctor Bartolo?
The role certainly requires an ability to say things quickly, as with the pitter-patter song, A un dottor dell mia sorte. Otherwise it requires a mix of comic timing and a hint of malevolence. But mainly, it is a straight-role, being a yin to the Count’s yang. If he is outrageous, be grounded, and when the Count is calm, then Doctor Bartolo will no doubt be pacing the stage, raging (again, think Bugs and Fudd). He is also an older man so I need to modify my behaviour to suit that persona. I even have a prop (a cane) and a bow tie!
It should be lots of fun. The cast is very talented and Rossini’s music, sublime! If you are looking for something to do this weekend, then do consider coming along! http://www.tessitoura.co.uk/ It will be performed in St Matthew’s Church in Kingsdown Bristol, St. Mary’s Church in Stoke Bishop Bristol and the medieval barn in Winterbourne. It’s also in support of the Above and Beyond charity.