Escape to the Dark Side

Preview as DMT prepares to performs Jekyll and Hyde

Photo taken from DMT publicity


It was originally a book published in 1886 by Robert Louis Stevenson called The Strange Case of Dr Jekyll and Mr Hyde, in which London lawyer Gabriel John Utterson investigates the strange link between his friend Dr Jekyll and the evil Mr Hyde.  The novella was a great success and a year later it was made into a play adapted by Thomas Sullivan and lead actor Richard Mansfield and premiered in Boston, USA.  A year later it made it to London, but unfortunately just before the first Jack the Ripper murder occurred just streets away, which is perhaps why it wasn’t a success this side of the Atlantic.  Skip forward in time to 1997 when Frank Wildhorn, Leslie Briscusse and Steve Cuden created a musical adaptation that toured the USA before making it to Broadway.

 Dark Drama

This is a show that starts off dark and gets darker.  There is a film noir feel to the proceedings as the morality of Londoners and all people is peered at through dirt-flecked spectacles.  In these surroundings we find the morally-upstanding Dr Jekyll desperate to cure his father’s sanity through radical scientific experiments. Unfortunately the corrupt and vulgar board of governors does not allow this to happen.  In his desperation he becomes his own test victim, and in doing so brings out the worst in himself.

 Musical Style

The show’s emotional content and flow is brilliantly enhanced by the music. There is a little of Les Miserables in the style, and a little of the Phantom about Jekyll and Hyde.  The chorus provide the voice of Londoners who are left reeling by a series of murders, and also the occupants of a seedy brothel. There are several excellent character parts too, including the despicable board of governors.  The female leads Emma Carew and Lucy Harris provide a delightful light and dark contrast, because of their high and low positions in society respectively.  The part of Jekll and Hyde is a crazy leading role, requiring plenty of both stamina and acting prowess.

There are some lovely moments throughout the musical, but what I believe the musical does best, is the duets; between Dr Jekyll and Emma, Mr Hyde and Lucy, Emma and Lucy and finally (and most bizarrely) a one-man duet between Dr Jekyll and Mr Hyde!

 DMT Production 2018

It is a treat to be in the DMT chorus for this because having watched their previous three shows, I know what an enthusiastic and positive group DMT can be. They always seem to be able to attract new members to what is already a loyal and talented group of performers. For this production they are directed by Matt Dauncey, who I have previously performed with.  What has really impressed me about Matt is his excellent management of people.  He has praised the group in rehearsals for their positive effort and he has often thanked and talks with individuals as well.  On top of this, he is surprisingly organised, which is not always the case with directors.  Perhaps he gets this from Peter Nelson, whom he assisted during the award-winning DMT production of Fiddler on the Roof.  It is a great comfort as a performer to know that you are covering all the material sufficiently and to see what is coming up in future rehearsals.

For the lead roles Gareth Lloyd and Andrew Curtis (who will understudy and perform the Saturday matinee) have an abundance of stage craft and imagination which is needed to carry off this duel-character part.  The parts of Emma Carew and Lucy Harris will be played by Naomi Ibbetson and Laura Deacon respectively.  This is an excellent choice of casting as they have such wonderful but such contrasting voices.  Naomi’s is pure and bright whilst Laura’s has so many tones and is far more earthy.

The production is at Dauntsey’s School outside of Devizes, Wiltshire from 11-14th April.  It should be an excellent show and I thoroughly recommend experiencing it. Expect dark drama, yes, but also be surprised with yourself for having enjoyed it!

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