Back to Basics

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So, after a year of creating vocals online for songs, characters and presentations, I thought it was time to take a look at the many ways I could do things better.  I had recently paid up to a 1 year premium package with Voices.com, a site that acts as an online job market for clients and voiceover talent.  If I’m to sound attractive to a worldwide market and get noticed in auditions, what do I need to take into consideration?

In this first research assignment, I decided to start with Dee Bradley Baker’s website dedicated to imparting knowledge to others, iwanttobeavoiceactor.com.  Who is Dee Bradley Baker?  Well, you probably know him in one form or another.  He is something of a legend in the voiceover industry!

If I’m going back to basics (not far too go), then I may as well start with his Newbie Mistakes article.

Dee lists the following six mistakes:

  1. Overlapping (taking over someone else’s read) is a no-no. It also means leaving a space in between takes for editors and recording engineers to adjust their equipment.
  2. Not acting.  If you are asked to give multiple takes, switch up your read (more voice acting) each time.  Dee generally recommends three takes as a sort of little menu for the creator to choose from.
  3. Distracting Wardrobe sounds.  I didn’t even think of this, but yes, clanging jewellery is not a good idea!  He also recommends losing the watch, bracelets or bangles.
  4. Not being silent during recording.  Walking around, rummaging through a bag while others are recording is definitely not done.  I’ve noticed at home just how much outside noise is picked up on the microphone!
  5. Running takes with your mobile phone or electronics.  The rule is to silence your mobile (cellphone) completely.  It can also be a distraction for you if not careful.
  6. Ruining a take with page turning during silence.  Dee recommends that if you must page turn during a take, do so silently and in between sentences – the space can then be edited out.  Currently I use my Kindle device, which is great in terms of noise and allows me to have it in front of me when recording.

Dee also had a Runners Up list that mentions not moving on when the director is happy,  ignoring direction, not watching shows from an established series, turning your head during a take, giving the booth too many choices which can confuse and slow down the recording/editing process and only notating your script changes in a multi-character scene.

For me, #2 – the not acting and getting the number of takes right was definitely something to work on.  I’ll try and stick with the rule of threes in future and give a little more expression each time.  I’ll think Dee should get the final word on this blog post however.  Here’s what he wrote in response to a reader:

“My first year in L.A. I didn’t book any voice over gigs. This was after a number of years’ experience in smaller markets. As an actor, you get lots of no’s always. I still do!”

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